Jazz » Lake Jazz
LACD300 gave an overview of the development of Traditional Jazz in Britain. What it could not do was look at some of the things which were also happening. This CD is sub-titled 'Breaking The Mould' because it looks at bands and musicians who did not always pursue a predictable path. Humphrey Lyttelton was not the only one moving into a more Mainstream style and this CD looks at some of those musicians. There also bands which were not averse to trying ... [MORE]
Despite upsetting the Traditional Jazz fans by bringing a saxophone into his band in the mid 1950s and pursuing a Mainstream style of Jazz Humphrey Lyttelton never lost his roots. Occasionally he would venture back into a more Traditional style. Here he teams up with his erstwhile partner from his early band, the redoubtable Wally Fawkes, and in the company of other stalwart traditionalists like Colin Bowden, Keith Nichols, John Beecham and Paul Sealy he ... [MORE]
***DOUBLE CD FOR THE PRICE OF ONE***
Over the years Chris Barber's Band has played host to numerous visiting American Jazz and Blues musicians. The CD set contains recordings of the band with three legendary clarinet players: Edmond Hall, Albert Nicholas and Joe Darensbourg. Many of the recordings are rare and have never been released before on LP or CD. The set also includes recordings of Chris Barber's American Jazz Band which featured ... [MORE]
Sandy Brown became one of the UK's most gifted Jazz players. From his early days, heavily influenced by the legendary Johnny Dodds, he followed the Traditional Jazz route before developing a more Mainstream approach. In the very early days in Edinburgh he produced a series of recordings which have become the subject of folklore: issued by a record shop based in Glasgow in very, very limited quantities. That any have survived over 60 years is remarkable. ... [MORE]
***DOUBLE CD FOR THE PRICE OF ONE***
One of the strongest line-ups ever of the Chris Barber band playing at the top of its game at this concert recorded in 1992. The CDs have lots of atmosphere, some excellent musicianship and was obviously enjoyed by both the band and the audience. [MORE]
Dick Charlesworth led a very successful band during the Trad Jazz era.This CD includes the first recordings the band ever made in 1957 and conclude with a fine set recorded for 77 Records in 1959 prior to the band signing with the major HMV label. The band plays lively, good-time Jazz and demonstrates why it became popular. [MORE]
Music from Jeff Barnhart's new Fats Waller Show.Jeff Barnhart is a stride pianist par excellence. Fats Waller must surely be his passion – he even sings like him. so said the magazine Jazz Rag. No slavish copyist Jeff has assmebled a superb little band to play his interpretations of the great man's music.The band Jeff has assembled features his long-time musical partner in the UK, reed-player, John Hallam, and the outstanding young trumpeter, Jamie ... [MORE]
This album represents some of the finest acoustic jazz from the 1950s, played by one of the British Jazz scene’s great eccentrics, maverick,cartoonist, broadcaster, and individual guitar player, William 'Diz' Disley. He fulfilled and ambition to have a group based on Django Reinhardt’s famous Quintette Du Hot Club De France and formed his String Quintet around 1956 mainly to play for his own enjoyment, but “we found after a season as interval group at the ... [MORE]
One of the legendary bands of the British Jazz Revival of the 1940s. It contained several musicians who went on to have leading roles on the Jazz scene: Ken Colyer, Monty Sunshine, John RT Davies, Sonny Morris. The disbanded in the 1950s then reformed in the 1970s. This recording, part of the collection of recordings made by Allan Gilmour at the Dancing Slipper in Nottingham, features the band honouring a gig shortly after Ken Colyer died. It is a typical ... [MORE]
This CD is a compilation of quite rare tracks charting some subtle but siginficant changes in the Chris Barber Band. Ian Wheeler (who died in 2011)joined in 1961 and brought Alto Sax and Harmonica into the band. John Slaughter (who died in 2010) brought the Blues Guitar to the band in 1965. The choice of material is the usual Chris Barber eclectic mix. [MORE]
Ray Foxley made his first recordings in the 1940s but came to national recognition when he joined Ken Colyer's Jazzmen in 1957. He became labelled as a Ragtime pianist, but there was always much more to Ray than that. He was a composer of some merit and yet rarely made recordings on his own and rarely featuring his own material. This CD recorded in 1988, but never issued until now amply showcases Ray's ability with Ragtime, some standard Jazz material and ... [MORE]
Scotland's most popular Traditional Jazz band with 53 tracks from their heyday. The band was comparatively short-lived, but they packed constant touring the length and breadth of Britain into their life-span. This collection combines their early recordings with their complete output for the prestigious Pye label and includes guest singer Lonnie Donegan as well as their regular vocalist, Fionna Duncan. Included in the set is their hit single SALTY DOG. [MORE]
John Hallam and Ian Bateman had worked together with the LAKE Records Jazz Band and on the 1930s Jazz Recording Project and had harboured a desire to do a CD together. As two of the finest exponents of their chosen instruments in the UK it seems to be an ideal partnership. The session was very relaxed and the outcome is a CD of pure class. Tom Kincaid's Trio proved to be the ideal backing group. [MORE]
A triple CD set for the price of one!
There have been any number of compilations along the line of 'Trad Greats' or 'Trad Favourites' which often seem like re-workings of the same material. This collection is an attempt to tell the story of the Traditional Jazz musical genre in the UK which had a pre-history in the 1930s, got properly underway in the 1940s and grew to be at the forefront of popular music during the 1950s and early 1960s. As well as ... [MORE]
It is a long time since a really top quality traditional style Jazz band appeared on the scene, but the Bateman brothers (Ian Alan) have formed one. The band is based around reworking the material of the Louis Armstrong All Stars of the 1950s. All the musicians are top quality: Ian Bateman - Trombone Alan Bateman - Trumpet Trevor Whiting - Reeds Craig Milverton - Piano John Day - bass Steve Rushton - Drums plus Maggie Reeday - Vocals. The band captures ... [MORE]
In the legacy of recordings left by Humphrey Lyttelton there are one or two absolute gems of albums which tend to get overlooked. The LP 'HUMPH MEETS CAB' from 1960 is one such. It features the singer Cab Kaye (himself very neglected as far a recordings are concerned) who has a style reminiscent of Nat King Cole, Johnny Mathis and, even, Billie Holiday. The original album forms the basis of this CD and it features Humph in a quartet setting with just his ... [MORE]
Another DOUBLE CD brings us up to 1960 with the DSCB. There is no previously unreleased material here, but there are some very rare tracks which only appeared on EPs. DSCB CDs are some of the most popular in our catalogue. The Peter Schilperoort is back in charge and with Oscar Klein (trumpet) and Dick Kaart (trombone) in the front line plus the usual excellent rhythm section you can be sure the playing is top class as always. [MORE]
Before her retirement in 1966 Ottilie Patterson had only one Jazz LP devoted to her, 'CHRIS BARBER'S BLUES BOOK'. This release sees that original album of classic blues, R'n'B material and a couple of her own compositions, enhanced with some previously unreleased tracks, four tracks from the 'OTTILIE SWINGS THE IRISH' EP and three tracks which only had limited release in the past. Ottilie's previous LAKE release, LACD244 in one of LAKE's all time best ... [MORE]
The wonderful Alex Welsh Band and Alex's friends are guitarist, Diz Disley, trombonist, George Chisholm, singer, Beryl Bryden and bass saxophonist, Harry Gold. All legends of British Jazz. The set is of previously unreleased 'live' material and very well recorded. Several of the tunes Alex never recorded commercially. Alex never had a bad band and these recordings from 1958-1960 reveal the band on exceptionally good form - lovely playing by Archie Semple, ... [MORE]
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Very few Trad Jazz albums were what we would now call 'concept' albums. An exception was this classic one from 1960 which was devoted to Ragtime tunes. The band adopts a variety of approaches ranging from a strictly 'as written' one to treating the melody like any other jazz tune with plenty of scope for improvisation. The original LP set is enhanced by some tunes previously ... [MORE]
The roots of Chris Barber's Band lay in Ken Colyer's Jazzmen in 1953. During the 1980s a series of reunion concerts took place. Usually they involved the original 1953 line-up but some featured just Ken Colyer with the band. That configuration never formally recorded and, until recently when these recordings came to light, there were no known concert recordings. Ken Colyer, a legend in New Orleans Jazz in the UK, although suffering illness during that ... [MORE]
DOUBLE CD FOR THE PRICE OF A SINGLE
The first CD is of a concert to mark the band's 10th anniversary in 1958 and again features the singer, Neva Raphaelo.
The second CD is a set of studio recorded tunes marking the return to the band, after a couple of years absence, of the leader, Peter Schilperoort.
There is also the added bonus of four tracks from a very rare EP by the Dim Kesber Quartet. [MORE]
The Merseysippi Jazz Band is the UK's longest serving Jazz Band. Formed in 1949 it is still going strong. The compilation is made up of tracks from the Decca archives (their appearance at the Royal Festival Hall in 1955)and from the archives of the legendary small UK Jazz label Esquire. The nmuber of records they made for Esquire is testament to their popularity. Also featured are singers Bery Bryden and Clinton Ford. [MORE]
Debbie Arthurs is at the forefront of the burgeoning interest in the popular music of the 1920s and 1930s both as leader of The Charleston Chasers and, as here, with her own group, Sweet Rhythm. Her main influence is Annette Hanshaw – the ‘Personality Girl’. She possess excellent taste, effortless swing as well as perfect intonation and flawless phrasing in the style of her chosen era. She is, however, no mere copyist. She delivers with style, panache and ... [MORE]